The idea of the poor man’s copyright was that a person could prove when they created a work by mailing that work to themselves upon completion and not opening the envelope (unless of course the person needed to prove when he/she created the work).
Here’s how the poor man’s copyright works:
- You (the poor man seeking copyright protection) takes a copy of your recently created work ( a manuscript, music cd, website, etc.) , puts it in an envelope, and mails the envelope to yourself, so that you can get a postmarked date.
- When the envelope with the poor man’s “copyrighted” work arrives, you gingerly place the unopened envelope in a safe spot, in case your work is every infringed and you are called upon to prove when you created the work.
WHY SHOULD I REGISTER WITH THE U.S. COPYRIGHT OFFICE
WHEN I CAN JUST DO THE POOR MAN’S COPYRIGHT?
Why pay the Copyright Office filing fee or have Click&Copyright prepare your copyright application, when all you have to do is mail yourself your work?
Hello? Are you really serious? Did you think we were serious? The poor man’s copyright is one of the dumber things anyone who seriously wants to protect his or her work can do.
The poor man’s copyright may have been a viable alternative back in the days when computers, laser printers and the like didn’t exist. Today, anyone can fake a postmark with ease. Or how about taking a picture of a postmark with a digital camera then scanning it, and printing it on a new envelope?
If you want to save a few bucks by using a poor man’s copyright, pray hard that you never need to prove the date on which you created your work. Because if you need to go to court to prove the authenticity of your poor man’s copyright, you’ll need to hire ink experts, computer fraud experts, postal inspectors, etc. All this because you didn’t want to pay a few dollars for a U.S. Copyright registration.
So, if all you have is your poor man’s copyright and your work is infringed, you will still need to file your copyright with the U.S. Copyright Office before you can bring a copyright infringement action in federal court and you will lose all of the protections afforded under the U.S. Copyright laws that you would have received had you registered your work in the first place.
Remember, if the registration of your work is done within five years from its creation, it is considered prima facie evidence in court. Prima facie evidence means that if you ever went to court, the registration of your copyright would be sufficient evidence of your ownership of the copyrighted material. Click here to learn more about the protections you get under the U.S. Copyright laws when you register your work.
Forget about the poor man’s copyright and obtain the only copyright protection that counts – by filing with the U.S. Copyright Office.
COPYRIGHT MY WORK NOW!